Project Team

Interior Design: Phorm Interiors
Architecture - Blueprint Architects
Builder - Bronlie Constructions
AV: JVG Sound Lighting & Visual

Suppliers

Table Lighting - K-Tribe by Philippe Starck (Flos Lighting)
Pendant Lighting - Ge' Suspension Lamp (Kartell)
Pendant Lighting - Allegro (Foscarini)
Stools - 'Bonze' Stools by Philippe Starck (XO)
Side Tables - Designed by Phorm Interiors and custom made by Dimensions by Design
Furniture - Custom made by Prototype Products
Salon Chairs - Custom made by Comax Australia and upholstered in Design 9297 by Josef Hoffman (Kvadrat Maharam)

The transformation of the beautiful Port Office Hotel in the CBD, built in 1868, has been a triumph under the vision of Phorm Interiors’ Ian Wrightson and Steven Stewart and Blueprint Architects’ James Forbes and Jackson Lightbody. The design takes its cue from classic brasseries - a blend of 1930’s Paris bistro and London Gentlemen’s club - delivering a contemporary, warm and intriguing interior, awaiting the Beautiful Young Things of Brisbane to adorn it, cocktails in hand.

The ground floor Fix Restaurant and Bar reveals a textured dark wood interior with a gently undulating bronze metallic feature wall. We are invited to sink into the sumptuously upholstered chocolate leather banquettes, to be bathed in the gentle glow of light emanating from the pleated shades of the elegant Philippe Starck K-Tribe light fittings.

The architectural detail of the feature wall is echoed in the custom made cocktail tables in the adjoining bar, which also hark back to the über-chic Martini-styling.

Upstairs, the newly named Liber Lounge is a triumph of texture, colour, and function. Striking custom-

designed screens influenced by traditional Persian design and Art Nouveau styling, are not only golden accents infusing the room with a soft and lovely play of light, but serve as partitions in the most stylish way possible.  Salon chairs, gloriously resplendent in turquoise fabric nestle alongside glinting “Bonze” footstools by Philippe Starck; a playful and practical solution to extra seating and table space requirements.

Maintaining a taut balance between the contemporary, the quirky, and the classical is the key to the success of this design, and Wrightson notes that “We were inspired by the minimalist style of Anouska Hempel, and by keeping really tight control of colour and texture we allowed the traditional elements to add depth and interest to the design.” Added to this design ethos are the many custom features and fittings, which are simultaneously dramatic and whimsical. All these elements have been perfectly shaken, not stirred, to produce a seriously cool, stylish cocktail of an interior, allowing this gracious old building to shine in a new light.

“The Port Office is now the new elite hotel in Brisbane and is really upper-class,” commented Jade Golar, managing director of JVG Sound Lighting & Visual. “Consequently they wanted the best in audio visual equipment and installation. Full control from all areas was very important as was very good quality audio.”

As a result Jade had JBL speakers installed throughout the venue powered by Crown and Australian Monitor amplifiers. Processing is by a BSS Audio Soundweb London BLU-160 with a BLU-120 Expander unit.

Crestron control was used through both levels with four TPS-6L touch screens with video preview, a Crestron CP2E processor and STI-COM serial

expander box. A Dynalite AV node was used as a lighting interface.

“JVG put a lot of design, CAD work and 3D design to show the customer,” said Jade. “We have upscalers and downscalers throughout for all of the VGA inputs so laptops can be plugged into any area for presentations or functions.

A Kramer VS-1616V high-performance matrix switcher for composite video signals is installed as well as Samsung commercial plasmas screens.

The dance floor utilizes ULA’s SDV LED bars as well as Astro LEDs controlled by e:cue lighting software.